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The form of the bed and its covering evolved under Louis XV. Early beds had four posts and a canopy suspended from a rectangular form on top. Under Louis XV, the Lit à la polonaise appeared, with a canopy suspended from a crownlike structure; and the Lit à la Duchesse, where the canopy was supported only from one end. The bed was usually ...
It was common for members of the nobility to receive guests when they were in bed. The beds had very high canopies and draperies supported by four posts and a rectangual frame or panel, called a tester, above. The draperies were largely to keep heat in and drafts out. The beds were separated from the rest of the room by a balustrade.
Thomas Chippendale (June 1718 – 1779) was an English woodworker in London, designing furniture in the mid-Georgian, English Rococo, and Neoclassical styles. In 1754 he published a book of his designs in a trade catalogue titled The Gentleman and Cabinet Maker's Director—the most important collection of furniture designs published in England to that point which created a mass market for ...
The Great Bed in Saracen's Head. Grecian columns of singular disproportion form the main structure of bedsteads, tables, and cabinets. These columns are noted for their clumsy thickness, and in one of the first misapprehensions of the classic that mark the style, they rise from huge spherical clusters of foliage, usually the acanthus. At about ...
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The "Boston chair" became one of the best-known examples of a William and Mary style chair made in America. This spoon-back chair [d] with leather-covered seat and splat featured turned front legs and a turned stretcher between them. The side and rear stretcher as well as the rear legs, however, were undecorated straight lines.
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