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The 1922 film short film Danse Macabre is one of twelve "visual symphonies" set to classical music by it director Dudley Murphy. It depicts the ballet dancers Adolph Bolm as Youth and Ruth Page as Love attempting to evade the grasp of Death (Olin Howland) in Spain during the Black Plague.
Danse Macabre is a 1922 American short film directed by Dudley Murphy and conceived by ballet dancer Adolph Bolm, [2] who also stars in the film. Set to Danse macabre, a symphonic poem for orchestra by French composer Camille Saint-Saëns, the film depicts Youth (Bolm) and Love attempting to evade the grasp of Death (Olin Howland) in Spain during the Black Plague.
The Dance of Death (1493) by Michael Wolgemut, from the Nuremberg Chronicle of Hartmann Schedel. The Danse Macabre (/ d ɑː n s m ə ˈ k ɑː b (r ə)/; French pronunciation: [dɑ̃s ma.kabʁ]), also called the Dance of Death, is an artistic genre of allegory from the Late Middle Ages on the universality of death.
Program music is a term applied to any musical composition on the classical music tradition in which the piece is designed according to some ... Danse Macabre, Op. 40 ...
Totentanz (Danse Macabre), Op. 12/2, [1] is a composition of 14 motets by Hugo Distler which he composed in 1934 for Totensonntag. The work was inspired by the medieval Lübecker Totentanz. The music is interspersed with twelve spoken texts. The motets are scored for a four-part choir a cappella, while the texts can be recited by one or more ...
Monsieur Lebouc managed to assemble a definitive line-up of eminent performers: Messieurs Saint-Saëns, Diémer, Taffanel, Turban [], Maurin, Prioré, de Bailly and Tourcy who, after a very interesting program, took part in the first performance of a very witty fantasy burlesque, composed for this concert by Saint-Saëns and entitled the Carnival of the Animals.
The Piano Quartet in B ♭ major was written in February 1875, an eventful year that marked his marriage to Marie-Laure Truffot and the birth of his son André, the composition of Le Déluge and the fourth piano concerto, and the premiere of Danse macabre. [1]
Totentanz (English: Dance of the Dead): Paraphrase on Dies irae, S.126, is the name of a work for solo piano and orchestra by Franz Liszt notable for being based on the Gregorian plainchant melody Dies irae as well as for stylistic innovations.
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