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The final concerto Mozart wrote before the end of his Salzburg period was the well-known Concerto No. 10, K. 365 for two pianos: the presence of the second piano disturbs the "normal" structure of piano-orchestra interaction.
The Piano Concerto No. 15 in B ♭ major, KV. 450 is a concertante work for piano and orchestra by Wolfgang Amadeus Mozart. The concerto is scored for solo piano, flute (third movement only), two oboes, two bassoons, two horns, and strings. A brief section of the third movement is heard in a transitional scene of the movie Amadeus.
The Piano Concerto No. 13 in C major, K. 415 (387b) by Wolfgang Amadeus Mozart was composed in Vienna in 1782–83. It is the third of the first three full concertos Mozart composed for his subscription concerts. It consists of three movements: Allegro, in C major and ; Andante, in F major and 3 4; Allegro, in C major and 6 8
The concerto departs from the usual solo piano concerto with the dialogue between the two pianos as they exchange musical ideas. [3] Mozart divides up the more striking passages quite evenly between the two pianos. Also, the orchestra is rather more quiet than in Mozart's other piano concertos, leaving much of the music to the soloists.
The Piano Concerto No. 20 in D minor, K. 466, was composed by Wolfgang Amadeus Mozart in 1785. The first performance took place at the Mehlgrube Casino in Vienna on 11 February 1785, with the composer as the soloist.
Mozart's Piano Concerto No. 11 in F major, K. 413 (K. 387a in the sixth edition of the Köchel catalogue), was the second of the group of three early concertos he wrote when in Vienna, in the autumn of 1782 (according to the latest edition of the Köchel catalogue, K. 414 was written first).
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