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The painting, which measures 91.4 by 121.9 centimetres (36.0 in × 48.0 in), depicts a hazy yellow sunrise over a turbulent grey sea. Lurking in the lower left corner are pink and red swirls usually identified as the eponymous sea monsters. [1] The painting first went on display in 1906. [3]
Komokwa ("Wealthy one", "Chief of the Sea") masks are crafted to represent the sea. Features include fish-like eyes, gill slits, scales, and occasionally an ornamental seabird crest. Round holes or painted circles can be found around the nose and cheek, and have been interpreted as air bubbles, octopus tentacle suckers, or anemones .
A native of Madison Heights, Michigan, Wyland began painting as a child and attended Detroit's Center for Creative Studies in the 1970s. [1] His connection with whales began when he was 14 on a visit with his family to Laguna Beach, California where he saw the ocean for the first time and witnessed several gray whales migrating down the California coast towards Mexico. [2]
Shachihoko evolved from Chiwen, an animal in the Chinese tale from the Han dynasty (202 BC - 220 AD), and is known as Shibi in Japan. [5] First found in the Eastern Han dynasty portrait brick “Visitation”, Chiwen appears as a component that covers the roof ridge and protects the building from fire. [6]
Manaia pounamu carving. The Manaia is a mythological creature in Māori culture, and is a common motif in Māori carving [1] and jewellery.. The Manaia is usually depicted as having the head of a bird and the tail of a fish and the body of a man, though it is sometimes depicted as a bird, a serpent, or a human figure in profile.
The subject of The Oceanids (The Naiads of the Sea) is from the ancient Greek tragedy Prometheus Bound, traditionally attributed to Aeschylus. [2] The painting depicts a group of Oceanids—ocean nymphs from Greek mythology—gathered at a rock in the ocean. The nude Oceanids lie on the rock or in the water in contorted positions; a group of ...
Marine art or maritime art is a form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. [1]
The Sea Monster, 25.2 × 18.7 cm. The Sea Monster (German: Das Meerwunder) is a c. 1498–1500 copper engraving by the German Renaissance master Albrecht Dürer.It shows a voluptuous naked woman riding on the back of a merman, a male creature who is half-man, half-fish.
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