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For example, the dog — an animal regarded in Indian culture to be unclean — correlates to the European idea of domesticity. [12] The figure of his daughter, believed to be modeled from a photograph, [ 12 ] is dressed as was typical for an upper-class Nair, but the woman's stance is evocative of European styles.
Shakuntala or Shakuntala looking for Dushyanta is an 1898 epic painting by Indian painter Raja Ravi Varma.. Ravi Varma depicts Shakuntala, an important character of Mahabharata, pretending to remove a thorn from her foot, while actually looking for her husband/lover, Dushyantha, while her friends tease her and call her bluff.
Manuscripts differ on what its exact title is. Usual variants are Abhijñānaśakuntalā, Abhijñānaśākuntala, Abhijñānaśakuntalam and Abhijñānaśākuntalam. [7] The Sanskrit title means pertaining to the recognition of Śakuntalā, so a literal translation could be Of Śakuntalā who is recognized.
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Shakuntala Patra-lekhan is an 1876 painting by Raja Ravi Varma.The work depicts Shakuntala laying on grass, writing a letter to her lover Dushyanta. The work had won praise for Ravi Varma when it was presented at the Madras Fine Arts Exhibition of 1876.
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The epic is based on the classical play Shakuntala by ancient Sanskrit poet Kālidāsa.It is considered the first original epic in the Nepali language. [5] Although it is based on an ancient work, the work has sufficient originality to be considered as such, specially compared to the first Nepali epic Bhanubhakta Ramayana which was a translation of Valmiki Ramayana.
Surviving examples of the font can be found on copper plates and scriptural manuscripts from the time-period. [6] The script was used in Hukamnama edicts, Khas Patra ('important pages') found within historical Dasam Granth manuscripts, and on the inscribed copper plate gifted to the Naina Devi temple by the tenth guru.