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Romantic, because it is full of aspirations and is not yet a complete class, so that the mighty content of its culture cannot yet find an appropriate framework for itself; realistic insofar as Plekhanov noted, insofar as the class that intends to build here on earth and is imbued with deep faith in such construction is intimately connected with ...
Pseudorealism, also spelled pseudo-realism, is a term used in a variety of discourses connoting artistic and dramatic techniques, or work of art, film and literature perceived as superficial, not-real, or non-realistic. [1] By definition, the term is highly subjective. [2]
In this book, he put forward a position called realistic rationalism, which combines metaphysical realism and rationalism. A more radical defense is to deny the separation of physical world and the platonic world, i.e. the mathematical universe hypothesis (a variety of mathematicism ).
An antonym is one of a pair of words with opposite meanings. Each word in the pair is the antithesis of the other. A word may have more than one antonym. There are three categories of antonyms identified by the nature of the relationship between the opposed meanings.
When used as an adjective, "realistic" (usually related to visual appearance) distinguishes itself from "realist" art that concerns subject matter. Similarly, the term "illusionistic" might be used when referring to the accurate rendering of visual appearances in a composition.
Life in Kowloon Walled City has often inspired the dystopian identity in modern media works. [1]A dystopia (from Ancient Greek δυσ (dus) 'bad' and τόπος (tópos) 'place'), also called a cacotopia [2] or anti-utopia, is a community or society that is extremely bad or frightening.
James Abbott McNeill Whistler, Nocturne: Blue and Gold – Old Battersea Bridge (1872), Tate Britain, London, England. Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. [1]
It included realistic – sometimes sordid or violent – depictions of contemporary everyday life, especially the life of the lower classes. In France in addition to melodramas , popular and bourgeois theater in the mid-century turned to realism in the "well-made" bourgeois farces of Eugène Marin Labiche and the moral dramas of Émile Augier .