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  2. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...

  3. Chord substitution - Wikipedia

    en.wikipedia.org/wiki/Chord_substitution

    If the original chord in a song is G7 (G, B, D, F), the tritone substitution would be D ♭ 7 (D ♭, F, A ♭, C ♭). Note that the 3rd and 7th notes of the G7 chord are found in the D ♭ 7 chord (albeit with a change of role). The tritone substitution is widely used for V7 chords in the popular jazz chord progression "ii-V-I".

  4. Royal road progression - Wikipedia

    en.wikipedia.org/wiki/Royal_road_progression

    IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...

  5. Tritone substitution - Wikipedia

    en.wikipedia.org/wiki/Tritone_substitution

    For example, in the progression Dm 7 –G 7C M7, substituting D ♭ 7 for G 7 produces the downward movement of D–D ♭ –C in the roots of the chords, typically played by the bass. This also reinforces the downward movement of the thirds and sevenths of the chords in the progression (in this case, F/C to F/C ♭ to E/B).

  6. List of guitar tunings - Wikipedia

    en.wikipedia.org/wiki/List_of_guitar_tunings

    Cmaj11: C-F-C-G-B-E (used by Soundgarden on the song "4th of July") Cm add4: C-F-C-G-C-D ♯ (used by This Town Needs Guns on "Baboon" and "Lemur") Open Page/Csus2/Gsus4: D-G-C-G-C-D (used by Jimmy Page in "The Rain Song") Dm7: D-A-D-F-A-C (used by Richie Havens in "From the Prison") [24] Dm9: D-A-D-F-C-E; Dm add9: D-A-D-F-A-E (used by Opeth on ...

  7. Dominant seventh chord - Wikipedia

    en.wikipedia.org/wiki/Dominant_seventh_chord

    The seventh of the chord acts as an upper leading-tone to the third of the scale (in C: the seventh of G 7, F, is a half-step above and leads down to E). [10] This, in combination with the strength of root movement by fifth, and the natural resolution of the dominant triad to the tonic triad (e.g., from GBD to CEG in the key of C major ...

  8. Ukulele Orchestra of Great Britain - Wikipedia

    en.wikipedia.org/wiki/Ukulele_Orchestra_of_Great...

    By Request (Songs From The Set List) 2018, UOGB(CD) The Only Album by the Ukulele Orchestra You Will Ever Need Volume Three – 2019, UOGB (CD) The Only Album By The Ukulele Orchestra You Will Ever Need, Vol. 9 – 2020, UOGB (CD) Never Mind The Reindeer – 2020, UOGB (CD) One Plucking Thing After Another - 2021, UOGB (CD)

  9. Dominant seventh flat five chord - Wikipedia

    en.wikipedia.org/wiki/Dominant_seventh_flat_five...

    In music theory, the dominant seventh flat five chord is a seventh chord composed of a root note, together with a major third, a diminished fifth, and a minor seventh above the root (1, ♮ 3, ♭ 5 and ♭ 7). For example, the dominant seventh flat five chord built on G, commonly written as G 7 ♭ 5, is composed of the pitches G–B–D ♭ –F: