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Renaissance humanism is a worldview centered on the nature and importance of humanity that emerged from the study of Classical antiquity.. Renaissance humanists sought to create a citizenry able to speak and write with eloquence and clarity, and thus capable of engaging in the civic life of their communities and persuading others to virtuous and prudent actions.
The following is a list of Renaissance humanists, individuals whose careers threw light on the movement as a whole. ... (English) Antonio Bonfini (1434–1503) (Italian)
Jean Seznec (19 March 1905, in Morlaix [1] – 22 November 1983, in Oxford) was a historian and mythographer whose most influential book, for English-speaking readers, is La Survivance des dieux antiques (1940), translated as The Survival of the Pagan Gods: Mythological Tradition in Renaissance Humanism and Art (1953).
The English Renaissance is different from the Italian Renaissance in several ways. The dominant art forms of the English Renaissance were literature and music. Visual arts in the English Renaissance were much less significant than in the Italian Renaissance. The English period began far later than the Italian, which was moving into Mannerism ...
The term "Renaissance humanism" was given to a tradition of cultural and educational reform engaged in by civic and ecclesiastical chancellors, book collectors, educators, and writers that developed during the 14th and early 15th centuries. By the late 15th century, these academics began to be referred to as umanisti (humanists). [64]
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
This was followed by the two books for which Burckhardt is best known today, his 1860 Die Cultur der Renaissance in Italien ("The Civilization of the Renaissance in Italy") (English translation, by S. G. C. Middlemore, in 2 vols., London, 1878), and his 1867 Geschichte der Renaissance in Italien ("The History of the Renaissance in Italy").
Leonardo is widely regarded to have been a genius who epitomised the Renaissance humanist ideal, [4] and his collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary Michelangelo. [3] [4]