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Tajimamori's role as god of sweets also originates in this story: the last character in the name of the fruit simply meant "fruit" at the time, but now refers to "sweets". Tajimamori is enshrined as the god of sweets in Nakashima Shrine in Hyōgo Prefecture, and through bunrei at various other shrines throughout the nation. He is worshiped ...
"The mills of God grind slowly, but they grind exceeding small," he said, somewhat impressively. — W. Somerset Maugham, "The Moon and Sixpence" (1919) During the Second World War, both Winston Churchill and Franklin Roosevelt quoted Longfellow when promising retribution for the extermination of the Jews.
An example spangram with corresponding theme words: PEAR, FRUIT, BANANA, APPLE, etc. Need a hint? Find non-theme words to get hints. For every 3 non-theme words you find, you earn a hint.
Tantalus (Ancient Greek: Τάνταλος Tántalos), also called Atys, was a Greek mythological figure, most famous for his punishment in Tartarus: for revealing many secrets of the gods and for trying to trick them into eating his son, he was made to stand in a pool of water beneath a fruit tree with low branches, with the fruit ever eluding his grasp, and the water always receding before he ...
Inexhaustible Chalice (Russian: Неупиваемая чаша; also known in English as Inexhaustible Cup or Non-intoxicating Chalice) is a wonderworking icon of the Mother of God (Θεοτόκος or Богородица (Bogoroditsa)) which revealed itself in Serpukhov, Russia in 1878.
The goats Tanngrisnir and Tanngnjóstr pull the chariot of the god Thor in an illustration from 1832. Tanngrisnir (Old Norse: [ˈtɑnːˌɡrisnez̠], literal meaning "teeth grinder" or "one that grinds teeth") and Tanngnjóstr ([ˈtɑnːˌɡnjoːstz̠], "teeth thin", or "one that has gaps between the teeth") are the goats who pull the chariot of the god Thor in Norse mythology.
Harris English clearly relishes a challenge. When he encounters ferocious wind or devilish course setups at his beloved Torrey Pines, he embraces the idea of thriving when par equals success.
Cornucopia of a Roman statue of Livia as Fortuna, 42-52 AD, marble, Altes Museum, Berlin. In classical antiquity, the cornucopia (/ ˌ k ɔːr n (j) ə ˈ k oʊ p i ə,-n (j) uː-/; from Latin cornu 'horn' and copia 'abundance'), also called the horn of plenty, was a symbol of abundance and nourishment, commonly a large horn-shaped container overflowing with produce, flowers, or nuts.