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"Nobody's Home" is the third single released from Canadian singer-songwriter Avril Lavigne's second studio album, Under My Skin (2004). The track was written by Lavigne and former Evanescence guitarist Ben Moody , who also plays guitar on the song.
"Nobody's Home" is a song written and recorded by American country music artist Clint Black. It was released in October 1989 as the third single from his debut album Killin' Time. The song was his third consecutive number-one hit on the Billboard Hot Country Singles & Tracks chart and on the Canadian RPM Country Tracks chart. [2]
Cajun Baby (lyrics by Williams; music composed by Hank Williams, Jr.) Cajun Baby Blues (co-written with Jimmy Fields) California Zephyr; Calling You; Coeur Brise (co-written with William Lamothe) Cold, Cold Heart; Come a Runnin' (co-written with Jimmy Fields) Countryfied; Cowboys Don't Cry (lyrics by Williams, music composed by Mickey Newbury)
"Nobody Home" is a song from the Pink Floyd album The Wall. [ 1 ] [ 2 ] This song was one of several to be considered for the band's "best of" album, Echoes: The Best of Pink Floyd . [ 3 ]
Jordan "Jerry" Ragovoy (September 4, 1930 – July 13, 2011) [1] [2] was an American songwriter and record producer who wrote several pop songs including the instrumental "Time Is on My Side" (under the pseudonym of Norman Meade for Kai Winding), which was recorded by the Rolling Stones with lyrics added by Jimmy Norman for an earlier version by Irma Thomas; "Stay With Me" for Lorraine Ellison ...
Dante Exum scored a season-high 27 points, one short of his career high, and the Dallas Mavericks beat the Miami Heat 118-113 on Thursday night. Max Christie added 19 points, Spencer Dinwiddie had ...
Under My Skin is the second studio album by Canadian singer-songwriter Avril Lavigne.It was released firstly in Europe on May 21, 2004 then it followed the release in the rest of the world on May 25, 2004 by Arista Records and RCA Records.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.