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Service set - a tray and two jugs, c. 1770. National Museum in Warsaw Chinoiserie plate, 1730–1735, Du Paquier period. Vienna porcelain is the product of the Vienna Porcelain Manufactory (German: Kaiserlich privilegierte Porcellain Fabrique), a porcelain manufacturer in Alsergrund in Vienna, Austria.
Its actual origins, however, lie in three private enterprises which, under crown patronage, were trying to establish the production of "white gold" (i.e. porcelain) in Berlin from the mid-18th century onwards. The company logo is a cobalt blue sceptre, which is stamped (painted prior to 1837) on every piece. All painted pieces produced by KPM ...
Some of the most expensive are French and German 18th century examples, and the record auction price for a German box is £789,250 (about US$1.3 million), bid in 2003 at Christie's in London. Modern snuff boxes are made from a variety of woods, pewter and even plastic and are manufactured in surprising numbers due, largely, to snuff's ...
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
The manufacturing plant in the second half of the 19th century. In the 18th century the territory of Lichte (Wallendorf) was located in two different principalities with the Lichte river forming the border. On the west bank was Schwarzburg-Rudolstadt and on the east bank Saxe-Coburg-Saalfeld.
The onion pattern was designed as a white ware decorated with cobalt blue underglaze pattern. Sometimes dishes have gold leaf accents on them. Some rare dishes have a green, red, pink, or black pattern instead of the cobalt blue. A very rare type is called red bud because there are red accents on the blue-and-white dishes. [1]
One of the flower painters was Georg Friedrich Kersting. After about 1830 the fortunes of the factory revived, although with wares that appeal less to modern taste than the 18th-century ones. The factory had great commercial success with the lithophane technique, introduced in 1829, which produced a picture when held up to the light. [15]
It was created in a matter of months by the New York architect Peter Marino with a mixture of classical and modern elements. In the modern section, Japanese blue-and-white porcelain is presented on historic tables, in front of panels lacquered with anthracite grey and cinnabar. Marino carried out further redesigns in 2010. [3] [4]
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