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The Old Royal Palace (Greek: Παλαιά Ανάκτορα Palaiá Anáktora) is the first royal palace of modern Greece. It is neoclassical building situated at the heart of modern Athens , facing onto Syntagma Square .
Casa Buonarroti is a museum in Florence, Italy that is situated on property owned by the sculptor Michelangelo that he left to his nephew, Leonardo Buonarroti. The complex of buildings was converted into a museum dedicated to the artist by his great nephew, Michelangelo Buonarroti the Younger .
The Zappeion (Greek: Ζάππειον Μέγαρο, romanized: Záppeion Mégaro, pronounced [ˈzapi.on ˈmeɣaro] ⓘ) is a large, palatial building next to the National Gardens of Athens in the heart of Athens, Greece. It is generally used for meetings and ceremonies, both official and private and is one of the city's most renowned modern ...
The palace has served as the offices and main residence of the crown princely couple, royal family and president of the republic, respectively. Since 1913, it is also where all official functions are held in Athens. Since the mid-1970s, the president holds a reception on 24 July every year to commemorate the restoration of democracy in 1974.
Visitors observing Michelangelo’s Doni Tondo.Uffizi is ranked as the 5th most visited art museum in the world, with around five million visitors annually.. The building of the Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici as a means to consolidate his administrative control of the various committees, agencies, and guilds established in Florence's Republican past ...
The National Historical Museum (Greek: Εθνικό Ιστορικό Μουσείο, [1] Ethnikó Istorikó Mouseío) is a historical museum in Athens. Founded in 1882, is the oldest of its kind in Greece. It is located in the Old Parliament House at Stadiou Street in Athens, which housed the Hellenic Parliament from 1875 until 1932. A branch ...
The exact date of execution of the statue is unknown, but it is usually related to the project for the tomb of Julius II.It is thought to have been intended for one of the lower niches of one of the last projects for the tomb, perhaps that of 1532 for which the so-called Captives or "Provinces" now in the Galleria dell'Accademia of Florence may have also been made.
The work is an obvious homage to the stiacciato low reliefs of Donatello, as Vasari also noted, both in technique and sizes plans with millimeter thickness variations, both in iconography, starting from the scale pattern with pronounced steps and handrails foreshortened, visible for example in the Feast of Herod in Lille.
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