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Truck-driving country or trucker country is a subgenre of country and western music.It is characterized by lyrical content about trucks (i.e. commercial vehicles, not pick-up trucks), truck drivers or truckers, and the trucking industry experience.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality.
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
In jazz, when one instrumentalist or singer is doing a solo, the other ensemble members play accompaniment parts. While fully written-out accompaniment parts are used in large jazz ensembles, such as big bands, in small groups (e.g., jazz quartet, piano trio, organ trio, etc.), the rhythm section members typically improvise their accompaniment parts, an activity called comping.
Au Privave" is a bebop jazz standard composed by Charlie Parker in 1951. [ 1 ] [ 2 ] Parker recorded "Au Privave" on January 17, 1951, for the American record label Verve . The origin of the title is unknown ("Privave" is not a French word), though Parker is known to have played with words when naming his compositions. [ 3 ]
"Desafinado" was originally a response to critics who claimed that the bossa nova genre was created for singers who can't sing. English language lyrics were written by Jon Hendricks and "Jessie Cavanaugh" (a pseudonym used by The Richmond Organisation).
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The song's bridge begins with a "dreamy" keyboard section, which leads into the first trumpet solo. [4] According to Ramone, the urgency and sexiness of the trumpet part is enhanced by the ascending and descending line played on bass guitar beneath the solo. [4] The second solo comes at the end of the song and goes into the fade out. [5]