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"Truck Drivin' Man" is a popular country song written by Terry Fell and originally recorded by Terry Fell and The Fellers in 1954. [1] One of his band members, Buck Owens , sang harmony with him on the recording.
The song is best known for its lengthy saxophone solos, performed by Tom Scott, while King sings an ode to 'the Jazzman' and the effect he has on her. Curtis Amy, saxophonist, composer, and former musical director for the Ray Charles band, was the 'jazz man' of the song. [citation needed]
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Folk songs adopt, adapt, and incorporate colloquialisms, slang, and occupational terms into verbal snapshots. In truck-driving country, such specialized words and terms as truck rodeo, dog house, twin screw, Georgia overdrive, saddle tanks, jake brake , binder and others borrowed from the lingo of truckers are commonly utilized. [ 10 ]
(By the time Simpson handed him four truck songs, however, Woods had stopped recording.) Simpson began writing songs with Owens in 1962, including the Top Ten hit "Gonna Have Love". In 1965, Capitol Records producer Ken Nelson was looking for someone to record some songs about trucking. His first choice was Haggard, who wasn't interested, but ...
Gary Giddins stated that the song "set the music world on its ear" and that it was "part of the funky, back to roots movement that Horace Silver, Mingus, and Ray Charles helped, in different ways, to fan". [5] Jon Hendricks later added lyrics, [5] and the subsequent recording by Lambert, Hendricks & Ross made the song even more popular. [6]
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The song was released with lyrics by vocalist Aileen Stanley in 1920 on Victor. In 1927, Frank Trumbauer , Bix Beiderbecke , and Eddie Lang recorded and released the song as an Okeh 78. The Trumbauer recording is considered a jazz and pop standard, greatly contributing to Frank Trumbauer and Bix Beiderbecke's reputation and influence (it ...