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Poetry analysis was also employed in other forms of medieval Arabic poetry from the 9th century, notably, for the first time, by the Kufan grammarian Tha'lab (d. 904) in his collection of terms with examples Qawa'id al-shi'r (The Foundations of Poetry), [30] by Qudama ibn Ja'far in the Naqd al-shi'r (Poetic Criticism), by al-Jahiz in the al ...
At the end of C, the poet switches to an intimate form of address, having implied that, her nobility notwithstanding, he is an equal by the agency of sensual love. B¹ and A¹ correspond thematically to sections B and A, yet the tone becomes increasingly personal at the end of the poem, consonant with private subject matter and an appeal for a ...
The qaṣīda (also spelled qaṣīdah; plural qaṣā’id) is an ancient Arabic word and form of poetry, often translated as ode. The qasida originated in pre-Islamic Arabic poetry and passed into non-Arabic cultures after the Arab Muslim expansion .
Ḥamāsah (from Arabic حماسة valour) is a well-known [1] ten-book anthology of pre-Islamic Arabic poetry, compiled in the 9th century by Abu Tammam. Along with the Asma'iyyat, Mufaddaliyat, Jamharat Ash'ar al-Arab, and Mu'allaqat, Hamasah is considered one of the primary sources of early Arabic poetry. [2]
The project had its genesis in the late 1970s when Columbia University Press invited Jayyusi to prepare a large anthology of modern Arabic literature. Funding came from the Iraqi Ministry of Information and Culture. Two major anthologies came out of this early endeavour: Modern Arabic Poetry (1987) and The Literature of Modern Arabia (1988). [5]
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The earliest references to Arabic poems are from 4th century Greek histories [8] and the earliest individuals to whom Arabic poetry is ascribed are the Tanukhids and Lakhmids in the 3rd century. [9] Pre-Islamic Arabic and Greek poetry share some similar themes, such as the inescapability of death and the notion of self-immortalization through ...
The Luzumiyat (Arabic: اللزوميات) is the second collection of poetry by al-Ma'arri, comprising nearly 1600 short poems [1] organised in alphabetical order and observing a novel double-consonant rhyme scheme devised by the poet himself. [2] [3]: 336