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Sony accepted HiFi AFM Stereo for its future mid-range models and relegated digital PCM audio to top of the line camcorders and VCRs. All Hi8 equipment can record and play the standard 8-mm video. The reverse is not usually the case though a few late-entry 8-mm systems recognize and play Hi8 recordings.
Digital Compact Cassette (DCC), a magnetic tape sound recording format introduced by Philips and Matsushita in late 1992 and marketed as the successor to the standard analog Compact Cassette; NT (cassette), a small cassette tape created by Sony that was smaller than a Picocassette only used for dictation machines but had plans to be used in music
By 2005, the Digital8 product line catered purely to entry-level consumers. This is most likely because the larger, bulkier Digital8 cassette was perceived as an inferior technology, even though the Digital8 and DV formats offer indistinguishable A/V performance. The larger 8mm format is more robust, laying down wider tracks.
The 8-track tape (formally Stereo 8; commonly called eight-track cartridge, eight-track tape, and eight-track) is a magnetic-tape sound recording technology that was popular [2] from the mid-1960s until the late 1980s, when the compact cassette, which pre-dated the 8-track system, surpassed it in popularity for pre-recorded music.
DV (from Digital Video) is a family of codecs and tape formats used for storing digital video, launched in 1995 by a consortium of video camera manufacturers led by Sony and Panasonic. It includes the recording or cassette formats DV, MiniDV, HDV, DVCAM, DVCPro, DVCPro50, DVCProHD, Digital8, and Digital-S. DV has been used primarily for video ...
Since the Japanese already dominated both the cassette and hi-fi equipment markets, incompatibility further undermined the market share of European-made cassette decks and CrO 2 cassettes. [64] In 1987, the IEC resolved the compatibility issue by appointing a new Type II reference tape U 564 W, a BASF ferricobalt with properties that were very ...
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