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Red Cat Ramen centers around the titular establishment, a ramen shop established and run by talking cats. Focusing on Tamako Yashiro, a human woman who is working as a part-timer behind the scenes, the series focuses on the day-to-day antics of her and her fellow feline employees: Bunzo, the head chef; Sasaki, the owner and finance/business expert; Sabu, the sous-chef; Hana, the customer ...
He was a former kitten model, who ran away from home and had a hard life on the streets before being saved by kind ramen shop owner who later served as Taishō's mentor. He takes pride in his noodles and is easily angered when customers are dissatisfied. Taisho also has a medical license and a driver's license.
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Kohina is an emotionless and eccentric girl living by herself in a house. She explains her lack of emotions and normal responses by claiming to be a living doll. She is obsessed with cup noodles, even having a wide variety of special edition noodles that she had hidden away until Kokkuri-san confiscated them and returned them to the store.
Ms. Koizumi Loves Ramen Noodles (Japanese: ラーメン大好き小泉さん, Hepburn: Rāmen Daisuki Koizumi-san) is a Japanese manga series by Naru Narumi. It began serialization in Takeshobo's Manga Life Storia magazine in September 2013. A live-action drama series adaptation aired from June 2015 to December 2016.
Fired-noodles worker. Has a clumsiness for women. Name's origin and model is Ken Takakura. Beniko Shougano Lover of Sauce's Ken. She gives in charge the legendary sauce to the Kasukabe defense group. Her name's origin is Beni shouga, which is a Japanese pickled ginger used mainly in yakisoba and okonomiyaki. Voiced by Japanese comedian Naomi ...
Noozles (ふしぎなコアラ ブリンキー, Fushigina Koara Burinkī), also known as The Wondrous Koala Blinky, is a 26-episode anime by Nippon Animation Company that was originally released in Japan in 1984. [1]
The advent of Japanese anime stylizations appearing in Western animation questioned the established meaning of "anime". [185] Defining anime as style has been contentious amongst critics and fans, with John Oppliger stating, "The insistence on referring to original American art as "anime" or "manga" robs the work of its cultural identity." [2 ...