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A selection of existing songs were featured in the 1978 film Superman, not included on any version of the soundtrack albums, but readily available elsewhere: "Rock Around the Clock", by Bill Haley & His Comets, was playing on the radio of the "Woodie" being driven by some of Clark Kent's high school classmates.
Williams has composed music for four Olympic Games: "Olympic Fanfare and Theme" – 1984 Summer Olympics, Los Angeles Written specifically for the opening ceremonies. In a 1996 re-release, the opening trumpet fanfare was replaced with "Bugler's Dream", a previous Olympic Theme written by Leo Arnaud. This recording has been used as the theme for ...
It's Superman is a 1966 musical composed by Charles Strouse, with lyrics by Lee Adams and book by David Newman and Robert Benton. It is based on the comic book character Superman created by Jerry Siegel and Joe Shuster and published by DC Comics .
Manuscript paper (sometimes staff paper in U.S. English, or just music paper) is paper preprinted with staves ready for musical notation. [1] A manuscript is made up of lines and spaces, and these lines and space have their names depending on the staves (bass or treble). Manuscript paper is also available for drum notation and guitar tabulature ...
Superman (1978 film)#Music From a cross-project redirect : This is a redirect from a title linked to an item on Wikidata. The Wikidata item linked to this page is Theme from Superman (Main Title)
The movie — originally titled Superman: Legacy — was announced in January 2023, just one month after Henry Cavill shared that he would no longer be portraying the beloved superhero. “I have just
In addition to creating several new themes for his score, Elfman used the "Batman Theme" from his Batman score, John Williams' "Superman Theme" from Superman, and the Wonder Woman theme from the cue "Is She With You" composed by Hans Zimmer, Robert Badami, Melissa Muik, Mark Andrew Wherry and Steve Mazzaro for Batman v Superman: Dawn of Justice ...
Superman III was the first of the films to have a score and soundtrack on the same release. Side A was devoted to 20 minutes of Ken Thorne's score (including new material such as a comedic cue that corresponds with the opening slapstick sequence, a theme for Richard Pryor's character, Gus Gorman, and the climactic fight between Clark Kent and Evil Superman).