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Keshavdas Mishra (Hindi pronunciation: [keːɕəvəd̪ɑːsə miɕrə]; 1555–1617), usually known by the mononym Keshavdas, was an Indian Poet, Writer, Scholar and administrator who was best known for his work Rasikpriya , a pioneering work of the Riti Kaal of Hindi literature. He was patronized by Vir Singh Deo of Orchha.
The Dwivedi Yug ("Age of Dwivedi") in Hindi literature lasted from 1900 to 1918. It is named after Mahavir Prasad Dwivedi, who played a major role in establishing the modern Hindi language in poetry and broadening the acceptable subjects of the Hindi poetry from the traditional ones of religion and romantic love. He encouraged poetry in Hindi ...
Bihari Lal Chaube or Bihārī (1595–1663) [1] was a Hindi poet, who is famous for writing the Satasaī (Seven Hundred Verses) in Brajbhasha, a collection of approximately seven hundred distichs, which is perhaps the most celebrated Hindi work of poetic art, as distinguished from narrative and simpler styles. [2]
Singh completed his higher education without going to college, he had two degrees in English and Hindi Literature, both from the University of Delhi. His PhD thesis discussed Hindi poetry in the Gurumukhi script. One of his three sons Madan Gopal Singh is a well-known singer and scholar.
Vrind (1643–1723) was an Indian saint and poet in Hindi language from Marwar, in present Rajasthan.He was an important poet of the Ritikal period of Hindi literature, known for his poems on ethics (Niti), and most known for his work Nitisatsai (1704), a collection of 700 aphorisms.
The Satasai (Satsai) or Bihari Satsai (Seven Hundred Verses of Bihari) is a famous work of the early 17th century by the Hindi poet Bihārī, in the Braj Bhasha dialect of Hindi spoken in the Braj region of northern India. [1] It contains Dohas, or couplets, on Bhakti (devotion), Neeti (Moral policies) and Shringara (love). [citation needed]
Nalin Vilochan Sharma, or Nalin Vilochan Sharma, was born in Patna on 18 February 1916. He was the fourth child and eldest son of his father, Ramavtar Sarma. From an early age, Nalin's father taught him such Sanskrit classics as the Amarkosh, Kalidas's Meghdoot and Suryashatakam.
She significantly impacted Hindi literature by refining the language and infusing poetry with heartfelt acceptance of Indian philosophy. Her unique blend of emotional intensity, lyrical simplicity, and evocative imagery, along with her contributions as a translator and scholar, solidified her position as a leading figure of the Chhayavad movement.