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Copy of the Akkadian version of Ishtar's Descent into Hell, from the " Library of Ashurbanipal ' in Nineveh, 7th century BC, British Museum, UK.. The Descent of Inanna into the Underworld (or, in its Akkadian version, Descent of Ishtar into the Underworld) or Angalta ("From the Great Sky") is a Sumerian myth that narrates the descent of the goddess Inanna (Ishtar in Akkadian) into the ...
By the 20th century, some reports of miraculous images of Jesus began to receive a significant amount of attention, e.g. Secondo Pia's photograph of the Shroud of Turin, one of the most controversial artifacts in history. During its May 2010 exposition, the shroud and its photograph of what some authors consider the face of Jesus were visited ...
Two Talmudic-era texts referring to a "Jesus, son of Pantera (Pandera)" are Tosefta Hullin 2:22f: "Jacob… came to heal him in the name of Jesus son of Pantera" and Qohelet Rabbah 1:8(3): "Jacob… came to heal him in the name of Jesus son of Pandera" and some editions of the Jerusalem Talmud also specifically name Jesus as the son of Pandera ...
The Jesus bloodline refers to the proposition that a lineal sequence of the historical Jesus has persisted, possibly to the present time. Although absent from the Gospels or historical records, the concept of Jesus having descendants has gained a presence in the public imagination, as seen with Dan Brown's 2003 best-selling novel The Da Vinci Code and its 2006 movie adaptation of the same name ...
Scientists have re-created what they believe Jesus looked like, and he's not the figure we're used to seeing in many religious images. Forensic science reveals how Jesus really looked Skip to main ...
Inanna's name is also used to refer to the Goddess in modern Neopaganism and Wicca. [393] Her name occurs in the refrain of the "Burning Times Chant," [394] one of the most widely used Wiccan liturgies. [394] Inanna's Descent into the Underworld was the inspiration for the "Descent of the Goddess," [395] one of the most popular texts of ...
Directed by D.J. Caruso (Disturbia), written by Timothy Michael Hayes, and produced by Mary Aloe, Mary tells the journey that led to the birth of Jesus through his mother's eyes.
Incised sarcophagus slab with the Adoration of the Magi from the Catacombs of Rome, 3rd century.Plaster cast with added colour. Except for Jesus wearing tzitzit—the tassels on a tallit—in Matthew 14:36 [9] and Luke 8:43–44, [10] there is no physical description of Jesus contained in any of the canonical Gospels.