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For the Nuba tribe of Sudan, scars can serve a medicinal purpose; scars above the eyes are believed to improve eyesight, and scars on the temples are believed to help relieve headaches. [14] In some cultures, scarification is used in traditional medicine to treat some illness by inserting medicine (usually herbs or powdered root) under the skin ...
The song was inspired by a dream Yorke had on the night of this show, [14] in which he was running naked down Dublin's River Liffey and being pursued by a tidal wave. [15] According to the guitarist Ed O'Brien, "How to Disappear Completely" was inspired by the RDS performance and the stress the band members, especially Yorke, experienced on ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
One of the most anticipated moments of each night of Taylor Swift's Eras Tour is her acoustic set. At the far end of her stage, the singer-songwriter plays two different songs, one on the guitar ...
"Marjorie" is a song by the American singer-songwriter Taylor Swift from her ninth studio album, Evermore (2020). She wrote the track with its producer, Aaron Dessner.A tribute to Swift's late maternal grandmother, the opera singer Marjorie Finlay, the song features bits of advice that Finlay offered to Swift and touches on her guilt over not knowing Finlay to the fullest.
The NFL playoff schedule is about to be set, with the wild-card dates and times for every matchup to be revealed during Week 18.
Taylor Swift struggled to get through an acoustic performance of her song "Would've, Could've, Should've" at her Edinburgh concert June 7, pausing the lyrics twice.
"Betty" is a song by the American singer-songwriter Taylor Swift from her eighth studio album, Folklore (2020). It was written by Swift and Joe Alwyn (under the pseudonym William Bowery), and the former produced the track with Aaron Dessner and Jack Antonoff. MCA Nashville and Republic Records released the song to US country radio on August 17 ...
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