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"Stupid Hoe" (or its radio edited title "Stupid Stupid") is a song by Trinidadian rapper and singer Nicki Minaj. The song was written by Minaj and DJ Diamond Kuts, the latter of which handled the production.
The lyrics include the lines "the old man that's over the hill", and "did the earth move for you, Nancy?" He wants to borrow money, first from his brother who responds,"Brother I'd like to help you but I'm unable to", then to his "Father, Father, almighty Father" who then responds "Money's too tight to mention".
I'm all right, Jack" is a British expression used to describe people who act only in their own best interests, even if providing assistance to others would take minimal to no effort on their part. [ 1 ] [ 2 ] It carries a negative connotation, and is rarely used to describe the person saying it.
Many of us grew up with the conceit that talking about money is rude, and sadly, that thinking persists in American culture. A new survey by Empower found that money talk remains highly taboo. The ...
The lyrics further highlight the moral dilemmas on what to do with money; keep it, give it away, spend it and to be ultimately free of it and not to let it rule a life. The song is featured in the video game Brütal Legend [ 3 ] and its introduction used in Brazilian television sports news programme Globo Esporte .
"Money Honey" is a song written by Jesse Stone, [3] which was released in September 1953 as the first single by Clyde McPhatter backed for the first time by the newly formed Drifters. McPhatter's voice, but not his name, had become well known when he was the lead singer for Billy Ward and the Dominoes .
"F.I.N.E." is an upbeat, hard rock song, similar to "Young Lust" both lyrically and musically. Its raunchy lyrics focus on youth angst and lasciviousness, and the verses feature the line "I'm ready" after each line, suggesting sexual arousal, or being "ready" for sex.
Just the fact that we took it from the street corner—there was two meaning to the record. It was ante up, we've been in this game too long you guys see how we demolish the stage, how we make short work of the main major artists when we get on their records and you still won't give us the props and the recognition that we deserve."