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Third Space Theory explains the uniqueness of each person, actor or context as a "hybrid". [ 1 ] [ non-primary source needed ] See Edward W. Soja for a conceptualization of the term within the social sciences and from a critical urban theory perspective.
Hybridity as a strategy of the suppressed against their suppressors, mimicry as a strategy of colonial subjection, Third Space, postcolonial "enunciative" present [1] Homi Kharshedji Bhabha ( / ˈ b ɑː b ɑː / ; born 1 November 1949) is an Indian scholar and critical theorist .
The development of hybridity theory as a discourse of anti-essentialism marked the height of the popularity of academic "hybridity talk". However the usage of hybridity in theory to eliminate essentialist thinking and practices (namely racism) failed as hybridity itself is prone to the same essentialist framework and thus requires definition ...
Hybrid art is a contemporary art movement in which artists work with frontier areas of science and emerging technologies. Artists work with fields such as biology, robotics, physical sciences, experimental interface technologies (such as speech, gesture, face recognition ), artificial intelligence, and information visualization.
Posters: “Word art can lack creativity, meaning, or feel too obvious,” says Thea Bloch-Neal, founder and lead designer of Curated by Thea. “I prefer a vintage poster from an art exhibit or ...
Some art theorists have proposed that the attempt to define art must be abandoned and have instead urged an anti-essentialist theory of art. [9] In 'The Role of Theory in Aesthetics' (1956), Morris Weitz famously argues that individually necessary and jointly sufficient conditions will never be forthcoming for the concept 'art' because it is an ...
Cultural homogenization is an aspect of cultural globalization, [1] [2] listed as one of its main characteristics, [3] and refers to the reduction in cultural diversity [4] through the popularization and diffusion of a wide array of cultural symbols—not only physical objects but customs, ideas and values. [3]
Appropriation, similar to found object art is "as an artistic strategy, the intentional borrowing, copying, and alteration of preexisting images, objects, and ideas". [2] It has also been defined as "the taking over, into a work of art, of a real object or even an existing work of art."