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Sand and Water is the fourth studio album by American singer-songwriter Beth Nielsen Chapman. It was released in 1997 via Reprise Records . The title track was the only single released, peaking at number 22 on Hot Adult Contemporary Tracks [ 2 ] and number 2 on Bubbling Under Hot 100 . [ 3 ]
A proverbial phrase or expression is a type of conventional saying similar to a proverb and transmitted by oral tradition. The difference is that a proverb is a fixed expression, while a proverbial phrase permits alterations to fit the grammar of the context. [1] [2] In 1768, John Ray defined a proverbial phrase as:
The track reached No. 10 on the Adult Contemporary chart, giving the group their eighth and final Top 10 hit, and also charted on the Billboard Dance/Disco chart, reaching No. 8. [ 5 ] "When All Is Said and Done" also achieved particular success in Canada, peaking at No. 4 on the Adult Contemporary chart in March 1982 (and spending nine weeks ...
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A particularly well-known rendition of the song was made by the Bristol-based a cappella musical group the Longest Johns on their collection of nautical songs Between Wind and Water in 2018. [16] In the wake of the "ShantyTok" social media sensation in 2021, Wellington Sea Shanty Society member Lake Davineer remarked that their recording had ...
The exact origin of the phrase is unknown: the Oxford English Dictionary suggests a transitional use from 1950, but a definitely figurative use only as late as 1978: He drew a line in the sand with the toe of his boot, and said, 'It's as though I told you "I can punch you in the nose, but you can't reach across that line to hit me back."'
Anyway, check out the full lyrics to “Flowers” (via Genius) below in case you want to scream-sing along in the shower, etc., etc. We were good, we were gold Kind of dream that can’t be sold
"Sea and Sand" also marks a point of reflection in the narrative. After the protagonist leaves home, he is left on the beach. He reflects about his inadequacy in love and inability to fit in at home or with the other tickets and faces within the Mod subculture. The song also speaks to Townshend's growing alienation from his band and the music ...