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The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
Work on the conservation and restoration of Leonardo da Vinci's The Last Supper mural, much of it more harmful than helpful, has been carried out over many centuries, and continues. Completed in the late 15th century by the Renaissance artist Leonardo da Vinci , the mural is located in the refectory of the Convent of Santa Maria delle Grazie ...
The Last Supper has been a popular subject in Christian art. [1] Such depictions date back to early Christianity and can be seen in the Catacombs of Rome. Byzantine artists frequently focused on the Apostles receiving Communion, rather than the reclining figures having a meal. By the Renaissance, the Last Supper was a favorite topic in Italian ...
Leonardo da Vinci's the "Last Supper" is visited by over 460,000 tourists each year, making it one of the top 10 most visited attractions in all of Italy. ... (Holy Mary of Grace), on wall mural ...
Why was "The Last Supper" referenced at the Opening Ceremony? Long story short: the painting isn't actually the correct reference. While the Olympics performance may have invoked da Vinci's ...
Paris Olympics organizers issued an apology on Sunday after a scene depicting the Greek god Dionysus drew criticism for allegedly mocking Leonardo da Vinci's painting “The Last Supper,” which ...
The Last Supper (1445–1450) is a fresco by the Italian Renaissance artist Andrea del Castagno, located in the refectory of the convent of Sant'Apollonia, now the Museo di Cenacolo di Sant'Apollonia, and accessed through a door on Via Ventisette Aprile at the corner with Santa Reparata, in Florence, region of Tuscany.
Paris Olympics organizers apologized to anyone who was offended by a tableau that evoked Leonardo da Vinci’s “The Last Supper” during the glamorous opening ceremony, but defended the concept ...