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Two women wearing the robe à la polonaise, literally meaning the Polish dress Jean-Michel Moreau, Le Rendez-vous pour Marly, engraved by Carl Guttenberg c. 1777.. The robe à la polonaise or polonaise, literally meaning the Polish dress, is a woman's garment of the 18th century 1770s and 1780s or a similar revival style of the 1870s inspired by Polish national dress style, costume, [1 ...
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1830s white cotton marcella skirt. Piqué, or marcella, is a weaving style normally used with cotton yarn which is characterized by raised parallel cords or geometric designs in the fabric. [1] Piqué fabrics vary from semi-sheer dimity to heavy weight waffle cloth. [1] Twilled cotton and corded cotton are close relatives.
Needlework was an important fact of women's identity during the Victorian age, including embroidery, netting, knitting, crochet, and Berlin wool work. A growing middle class had more leisure time than ever before; printed materials offered homemakers thousands of patterns.
The three gathered back sections of the skirt and fitted bodice of the 1770s incarnation of the mantua, known as the polonaise gown or Robe à la Polonaise, were distinct to this style, with the puffed skirt achieved through cording or ribbons. [9] The Robe à l'Anglaise or English gown was also a popular style in Europe. The English-style gown ...
A polonaise is a garment featuring both an overskirt and bodice together. The tournure was also introduced, and along with the polonaise, it created an illusion of an exaggerated rear end. By 1874, skirts began to taper in the front and were adorned with trimmings, while sleeves tightened around the wrist area.
1859 fashion plate of both men's and women's daywear, with seabathing in background. He wears the new leisure fashion, the sack coat.. 1850s fashion in Western and Western-influenced clothing is characterized by an increase in the width of women's skirts supported by crinolines or hoops, the mass production of sewing machines, and the beginnings of dress reform.
The strong Victorian colors disappeared, though, and new publications called for white or pale threads, except for fancy purses, which were often crocheted of brightly colored silk and elaborately beaded. After World War I, far fewer crochet patterns were published, and most of them were simplified versions of the early 20th-century patterns.
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