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Folk music is described by the Japanese term min'yō. Since the kingdom was abolished, some members of the former samurai class spread Shuri-based high culture to other areas of Okinawa. Some of such new elements are today seen as part of folk culture. [1] Okinawa's folk songs are generally accompanied by one (or more) sanshin.
Tooshin Dooi (Okinawan: 唐船どーい, Tooshin dooi) is a Ryukyuan folk song from the Okinawa Islands. [1] It is one of the most popular eisa songs and is typically played at the end of Okinawan music festivals.
The "Song of Okinawa Prefecture" (Japanese: 沖縄県民の歌, Hepburn: Okinawa kenmin no uta) was adopted on May 15, 1972, upon the United States' return of Okinawa Prefecture to Japan. Its lyrics were written by local teacher Seiko Miyazato [ ja ] , with music composed by University of the Ryukyus professor Shigeru Shiroma [ ja ] .
Ryukyuan music (琉球音楽, Ryūkyū ongaku), also called Nanto music (南島歌謡, Nantō kayō), is an umbrella term that encompasses diverse musical traditions of the Amami, Okinawa, Miyako and Yaeyama Islands of southwestern Japan. The term of "Southern Islands" (南島, Nantō) is preferred by scholars in this field.
The first version is popular in the Okinawa Islands whereas the latter version is popular in Taketomi. [2] There is an anti-government motive behind this song, as it took place when the Japanese owned the Ryukyu Kingdom as one of its vassal states, heavily taxing the local populace. [1]
The Okinawa Prefectural government designated "Tinsagu nu Hana" as "Okinawa Prefecture's favorite song" on March 18, 2012, following a public survey. [8] It was subsequently made an official symbol of Okinawa Prefecture, making it the prefecture's second musical symbol alongside the " Song of Okinawa Prefecture ".
Okinawa's folk songs were simply called uta in local communities and were described as min'yō in academic writing. [7] Musicologist Takahashi Miki identified two persons who had popularized the term shima-uta in Okinawa Prefecture. One is Nakasone Kōichi, who is known for his research on folk songs of the Amami, Okinawa, Miyako and Yaeyama ...
In modern Okinawa, Eisa has gradually changed itself into popular entertainment by incorporating non-Buddhist folk songs and by adding visually appealing choreography although the Eisa dance still began with nembutsu songs such as Mamauya Ninbuchi, Chōja nu Nagari (長者の流れ), and Yamabushi (山伏). It has also developed regional variants.