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In her book, Kahn, Professor of English, Emerita, at Brown University, delivers a feminist critical study of William Shakespeare's Roman plays: Titus Andronicus, Julius Caesar, Antony and Cleopatra, and Coriolanus (with a postscript on Cymbeline). Shakespeare's long narrative poem The Rape of Lucrece is also examined from a feminist approach.
Julius Caesar is seen as the main example of Caesarism, a form of political rule led by a charismatic strongman whose rule is based upon a cult of personality, whose rationale is the need to rule by force, establishing a violent social order, and being a regime involving prominence of the military in the government. [292]
Moya K. Mason, Ancient Roman Women: A Look at their Lives. Essay on the lives of Roman women. "Wife-beating in Ancient Rome": an article by Joy Connolly in the TLS, April 9, 2008 "An etext version of: Ferrero, Guglielmo. "Women and Marriage in Ancient Rome." The Women of the Caesars. The Century Co.; New York, 1911.
The novel is set during a ten-year interval, from 68 to 58 BC, which Julius Caesar spent mainly in Rome, climbing the political ladder and outmaneuvering his many enemies. It opens with Caesar returning early from his quaestorship in Spain, and closes with his epochal departure for the Gallic campaigns.
The subjects consist of: Julius Caesar (d. 44 BC), Augustus, Tiberius, Caligula, Claudius, Nero, Galba, Otho, Vitellius, Vespasian, Titus, Domitian (d. 96 AD). The work, written in AD 121 during the reign of the emperor Hadrian , was the most popular work of Suetonius , at that time Hadrian's personal secretary, and is the largest among his ...
Caesarism is a macro-social phenomenon and cannot be driven by the emergence of an individual; this phenomenon, therefore, fulfills a political function. Furthermore, Gramsci evokes the possibility of a "Caesarism without Caesar" but implemented by a group like the British National Government bringing together the Conservatives and Labour. [10]
Sempronia is mentioned, but does not appear, in the novel The October Horse and appears in Caesar's Women, by Colleen McCullough. [23] In the novel Respublica: A Novel of Cicero's Roman Republic Sempronia is portrayed as a vile woman who murders her husband and mentally and sexually abuses her son Decimus. [24]
Virgil questions whether the new political foundation promised by Caesar will actually be an escape from the repetitions of the civil war. Caesar claims that good repetition can replace the bad, but Virgil asks in his epic whether repetition can be a good thing at all.