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Erik Satie in army uniform, 1893 painting by Marcellin Desboutin [1]. The Sarabandes are three dances for solo piano composed in 1887 by Erik Satie.Along with the famous Gymnopédies (1888) they are regarded as his first important works, and the ones upon which his reputation as a harmonic innovator and precursor of modern French music, beginning with Debussy, principally rests. [2]
The Danzas fantásticas were written in their original form for piano solo 11–29 August 1919. Turina orchestrated the work between 15 September and 30 December 1919. [ 2 ] The orchestral version was first heard on 13 February 1920, in the Teatro Price in Madrid; the Orquesta Filarmónica de Madrid was conducted by Bartolomé Pérez Casas .
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
This is the main list of dances. It is a non-categorized, index list of specific dances. It may also include dances which could either be considered specific dances or a family of related dances. For example, ballet, ballroom dance and folk dance can be single dance styles or families of related dances. See following for categorized lists:
A comical dance routine used by a rare breed of bird in a mating tactic that has never before been filmed in the wild. Sir David Attenborough has narrated the bizarre display of the male tragopan.
The Three Fantastic Dances were first published by Muzgiz in 1926 in an edition of 200 copies. [12] It was Shostakovich's first published work. [13] They immediately became popular among Russian music students. [14] Shostakovich's orchestration of the first dance, an assignment for Steinberg's composition class, remains unpublished. [15]
Davidsbündlertänze (Dances of the League of David), Op. 6, is a group of eighteen pieces for piano composed in 1837 by Robert Schumann, who named them after his music society Davidsbündler. The low opus number is misleading: the work was written after Carnaval, Op. 9, and the Symphonic Studies, Op. 13.
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