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A demo of tabla playing. A tabla [nb 1] is a pair of hand drums from the Indian subcontinent.Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, [3] where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles.
Damaru of all kinds are traditionally paired with a long sash or tail called a chöpen. The chöpen is attached to the end of the drum's handle so that it waves about while the drum is being played. They are most commonly made of brocade or silk using the colors of the tantric elements.
Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments).
A Tibetan damaru. Pellet drums, or rattle drums, are a class of membranophone, or drum, characterized by their construction and manner of playing. [1] They have two heads (either a single double-headed drum or two hemispherical single-headed drums joined together with the heads facing outward), and two pellets, each connected by a cord to the drum.
In Bohag Bihu, Xutuli has an importance of its own. Initially, the cowboys (gorurokhiya lora) used Xutuli as a toy, because of ease of construction . Xutuli is played by both boys and girls in Bihu, but most importantly Xutuli is an indispensable part of Jeng Bihu and Bihuwati dances, and predominantly played by girls.
In drum circles like those in Minneapolis, where many Natives are Ojibwe and Lakota, there is a lead singer, who starts each song before passing on the beat and verse to others seated at the drum ...
The mridangam is a double-sided drum whose body is usually made using a hollowed piece of jackfruit wood about an inch thick. The two mouths or apertures of the drum are covered with a goat, cow or buffalo skin and laced to each other with leather straps along the length of the drum.
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