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It should only contain pages that are Christopher Williams (singer) songs or lists of Christopher Williams (singer) songs, as well as subcategories containing those things (themselves set categories). Topics about Christopher Williams (singer) songs in general should be placed in relevant topic categories
Christopher Lawrence Williams (born August 22, 1967) is an American singer and actor. Williams, who emerged during the late 1980s as a recording artist for Geffen Records , has scored many R&B hit singles, notably "Talk to Myself" (1989), " I'm Dreamin' " (1991) and " Every Little Thing U Do " (1993).
"All I See" is a song by American R&B artist Christopher Williams recorded for his second album Changes (1992). The song was released as the second single for the album. Also in 2021, singer Bryson Tiller sampled the song for his song "Still Yours", which featured rapper Big Sean in the third studio album Anniversary.
Pages in category "Songs written by Christopher Williams (singer)" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes .
"Every Little Thing U Do" is a song by American R&B artist Christopher Williams recorded for his second album Changes (1992). The song was released as the album's third single in March 1993. Track listings
"I'm Dreamin"' is a song by American recording R&B artist Christopher Williams. It is featured in ending credits of the 1991 film New Jack City and its soundtrack, in which Williams has a supporting role as Kareem Akbar. The song peaked number-one on Billboards US R&B Songs chart becoming Williams' first and only song to reach that position.
Changes is the second studio album from American R&B artist Christopher Williams, released on December 29, 1992, on Uptown Records.. The album peaked at sixty-three on the U.S. Billboard 200 and reached the twelfth spot on the R&B Albums chart.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...