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Valimai (Hindi) "Mother Song" Yuvan Shankar Raja: Sameer RK/RKay "Meri Jaan" Sagar Desai Hussain Haidry Love You Loktantra "Na Jaane Kyun Dhadka Dil" Lalit Pandit: Sanjay Chhel: Amruta Fadnavis: Ponniyin Selvan: I "Rakshas Mama Re" A. R. Rahman: Mehboob Kotwal: Shreya Ghoshal, Mahesh Vinayakram Life Is Good "Sapna Pala" Abhishek Ray: Nivedita ...
"Go Balle Balle" Alisha Chinai [125] Inteqam: The Perfect Game "Ishq Sarfira" Anand–Milind: Jalees-Rashid Sadhna Sargam [126] Ishq Hai Tumse "Lutf De Gayee" Himesh Reshammiya Sameer Hema Sardesai [127] King of Bollywood "Dhak Dhak" Smoke Piyush Jha [128] Main Hoon Na "Chale Jaise Hawaien" Anu Malik Javed Akhtar: Vasundhara Das [129] "Ye ...
Balasubrahmanyam's first work in Hindi films was, in Ek Duuje Ke Liye (1981), [1] for which he received another National Film Award for Best Male Playback Singer. [2] In 1989, Balasubrahmanyam was the playback singer for actor Salman Khan in the blockbuster Maine Pyar Kiya. [3]
The song was picturised in a film sequence showing a wedding celebration with the film's cast. [4] Even after two decades of its release, it remains one of the most popular songs played on Indian wedding rituals in North India. The soundtrack album of the film is one of the best selling Bollywood albums.
Dum Maro Dum (Hindi: दम मारो दम, "Puff, take a puff!") is an Indian Hindi song from the 1971 Bollywood film Hare Rama Hare Krishna. It was sung by Asha Bhosle and chorus. [1] The song was picturized on Zeenat Aman. It was written by Anand Bakshi and composed by Rahul Dev Burman. It has been remixed and sampled by many other artists.
Hindi film songs, more formally known as Hindi Geet or Filmi songs and informally known as Bollywood music, are songs featured in Hindi films.Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with dance, are a characteristic motif of Hindi cinema which gives it enduring popular appeal, cultural value and context. [1]
The song has a good rhythm to it and though it starts off with distinct Pakistani shade, it takes a lot from Indian classical music as it progresses further. It is a number that could easily belong to Indi/Paki pop genre. 'Mitwa Revisited' follows a little later and the remix version turns out to be highly trendy."
Chopra herself performed the song owing to "sentimental reasons" which led the duo design the song with her image in mind. [9] "Mehndi Laga Ke Rakhna" was intended to be composed for Khiladi but left unused. When he performed the scratch version of the tune to Yash and Aditya, the latter wanted to use that song in the film, which the duo agreed.