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Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales, and occasional references ...
Jazz fusion (also known as jazz rock, jazz-rock fusion, or simply fusion [4]) is a popular music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues.
Cool jazz is a style of modern jazz music inspired by bebop and big band [1] that arose in the United States after World War II. It is characterized by relaxed tempos and a lighter tone than that used in the fast and complex bebop style. Cool jazz often employs formal arrangements and incorporates elements of classical music.
The most influential bebop musicians included saxophonist Charlie Parker, pianists Bud Powell and Thelonious Monk, trumpeters Dizzy Gillespie and Clifford Brown, and drummer Max Roach. The swing era lasted until the mid-1940s, and produced popular tunes such as Duke Ellington 's " Cotton Tail " (1940) and Billy Strayhorn 's " Take the 'A' Train ...
Bennie Moten was born in Kansas City on December 13, 1893, the beginning of the story of the 1923 recording session. During his first gigs, Moten played house rent parties and brothels operating from private homes, according to long-time Kansas City native Fred Hicks. Between 1916 and 1918, Moten began performing with the drummer Dude Langford.
When it was published, it was the first volume of a projected two volume history of jazz through the Swing era. (Schuller died before he could write a promised third volume, on the bebop period and after.) The book takes an enthusiastic tone to its subject. [3]
Bebop – a fast-paced style of jazz popular in the 1940s and 1950s that replaced the dance-oriented swing music; known for its complex chord progressions, instrumental virtuosity, and the predominant role of the rhythm section. Beguine/Biguine – a style from French territory in the Caribbean, Martinique island and precursor of jazz.
During the post-World War II era there was something of a revival of "traditional" jazz, and bebop displaced swing as the "modern" music to which it was contrasted. [3] More recently, Gene Santoro has referred to Wynton Marsalis and others, who embrace bebop but not other forms of jazz that followed it, as "latter-day moldy figs", with bebop ...