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A red box carved with a crane motif. Qing dynasty (1644–1911), Qianlong period (1736–95). Handicrafts (手工业 shougongye) produced during the Qing dynasty (1644–1911) were objects designed and hand-made by craftsmen. They were heavily ornate, incorporating Tibetan, Middle Eastern, Indian, and European techniques.
Chinese nested boxes have inspired similar forms of packaging around the world, but also have found use as a figurative description, providing an illustrative example to demonstrate situations of conceptually nested or recursive arrangements. In literature, a Chinese box structure refers to a frame narrative, [1] where a novel or drama is told
In the Kamakura period (1185–1333), carved lacquer from the Song dynasty of China was imported to Japan. However, many Japanese lacquer craftsmen did not adopt the Chinese method of depositing lacquer and then carving it; instead, they created Kamakurabori, a method of carving wood and then coating lacquer. [24]
Carved lacquer or Qidiao (Chinese: 漆雕) is a distinctive Chinese form of decorated lacquerware. While lacquer has been used in China for at least 3,000 years, [ 1 ] the technique of carving into very thick coatings of it appears to have been developed in the 12th century CE.
Dongyang wood carving can be traced back to the Tang dynasty (618–907 AD), but it reached its peak during the Ming (1368–1644) and Qing (1644–1911) dynasties. The city of Dongyang emerged as a hub for wood carving due to its abundance of high-quality wood resources and a favorable climate that allowed for skilled craftsmanship.
This was done primarily in Southern China. The bamboo would be made by growing the plant in a prepared sheath. Bamboo was a highly valued material in Ancient China, and other woods would be carved to look like it. Furniture could also be made from dense hardwoods and softwoods. [135] Most wooden furniture in Ancient China was lacquered.
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