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Schaffer gave precedence to developing the first system for wireless guitar (1976) and then the wireless microphone (1977). After prototyping the wireless system, Schaffer arranged its manufacture by the Vega Corporation, based in El Monte, California. The first bands to use Schaffer-Vega Diversity System were Kiss and Electric Light Orchestra. [3]
The Guitar Rig environment is a modular system, providing capabilities for multiple amplifiers, effects pedals and rack mounted hardware.Primarily designed for electric guitar and bass, the software uses amplifier modeling to allow real-time digital signal processing in both standalone and DAW environments via plug-in (VST/DXi/RTAS/AU).
The Guitar Hero World Tour kit also features a MIDI-in port, allowing users to connect most MIDI-compatible e-drum kits for use as game inputs. The MIDI port can also be used for calibration of the kit via a specialised USB → MIDI adapter and Windows-based calibration software. Like other Guitar Hero peripherals, the kit was produced by ...
The term music centre came into common use when all-in-one integrated systems, also known as shelf stereos or mini component systems, became popular. "Midi"-style systems (mimicking the appearance of a stacked component-based system) were popular during the 1980s. These typically included a record deck, tuner, dual cassette deck, amplifier and ...
Sound reinforcement in a large format system typically involves a signal path that starts with the signal inputs, which may be instrument pickups (on an electric guitar or electric bass) or a microphone that a vocalist is singing into or a microphone placed in front of an instrument or guitar amplifier.
The input of modern guitar amplifiers is a 1/4" jack, which is fed a signal from an electro-magnetic pickup (from an electric guitar) or a piezoelectric pickup (usually from an acoustic guitar) using a patch cord, or a wireless transmitter. For electric guitar players, their choice of amp and the settings they use on the amplifier are a key ...
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The Internet of Musical Things (also known as IoMusT) is a research area that aims to bring Internet of Things connectivity [1] [2] [3] to musical and artistic practices. . Moreover, it encompasses concepts coming from music computing, ubiquitous music, [4] human-computer interaction, [5] [6] artificial intelligence, [7] augmented reality, virtual reality, gaming, participative art, [8] and ...
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