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Mitchell Camera Corporation was an American motion picture camera manufacturing company established in Los Angeles in 1919. It was a primary supplier of newsreel and movie cameras for decades, until its closure in 1979.
Auricon cameras were 16 mm film Single System sound-on-film motion picture cameras manufactured in the 1940s through the early 1980s. Auricon cameras are notable because they record sound directly onto an optical or magnetic track on the same film that the image is photographed on, thus eliminating the need for a separate audio recorder.
Although the first digital camera was created in 1975, the 1999 Kodak DC210 truly signaled the beginning of the digital camera revolution — and the beginning of the end for film.
Adox was a German camera and film brand of Fotowerke Dr. C. Schleussner GmbH of Frankfurt am Main, the world's first photographic materials manufacturer. In the 1950s it launched its revolutionary thin layer sharp black and white kb 14 and 17 films, referred to by US distributors as the 'German wonder film'. [1]
While the power of Los Angeles is dispersing, no single "new Hollywood" is coming to take its place. The end of Peak TV has contracted employment all over — the total number of jobs in the ...
In addition to its raw capabilities, the camera is notable for its Super 16mm sized sensor, [22] allowing the usage of vintage 16mm lenses [24] with no crop, and its unique crank wheel encoder. [9] The Digital Bolex is the only digital cinema camera with a native C mount, a nod to the original Bolex 16mm film cameras.
Panavision Inc. is an American motion picture equipment company founded in 1954 specializing in cameras and lenses, based in Woodland Hills, California.Formed by Robert Gottschalk as a small partnership to create anamorphic projection lenses during the widescreen boom in the 1950s, Panavision expanded its product lines to meet the demands of modern filmmakers.
Paramount did not use anamorphic processes such as CinemaScope but refined the quality of its flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and shooting onto a larger area, which yielded a finer-grained projection print. As finer-grained film stocks appeared on the market, VistaVision became obsolete.