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Figures in a Landscape, subtitled: People and Places; Essays: 2001-2016, is a collection of thirty essays, profiles, articles and book introductions all by Paul Theroux. [1] The thirty pieces cover a wide variety of topics including authors, artists, celebrities, Africa, travel experiences, reading and the craft of writing.
Landscape photography (often shortened to landscape photos) shows the spaces within the world, sometimes vast and unending, but other times microscopic. Landscape photographs typically capture the presence of nature but can also focus on human-made features or disturbances of landscapes.
Initial work for digitization of the films and hosting them on a publicly accessible website was undertaken by a student at Plymouth State College in 1997 as part of her senior project in her Computer Science degree program, [12] on which she collaborated with Dr. Dow. "Geographers on Film are a collection of recorded interviews conducted with ...
The theory of 'En plein air' painting is credited to Pierre-Henri de Valenciennes (1750–1819), first expounded in a treatise entitled Reflections and Advice to a Student on Painting, Particularly on Landscape (1800), [2] where he developed the concept of landscape portraiture by which the artist paints directly onto canvas in situ within the ...
Landscape images were present in the early Shijing and the Chuci, but in later poetry the emphasis changed, as in painting to the Shan shui (Chinese: 山水 lit. "mountain-water") style featuring wild mountains, rivers and lakes, rather than landscape as a setting for a human presence. [54]
The earliest examples of Scottish landscape painting are in the tradition of Scottish house decoration that arose in the sixteenth century. Often said to be the earliest surviving painted landscape created in Scotland is a depiction by the Flemish artist Alexander Keirincx undertaken for Charles I.
The introduction sets out Hoskins' stall with "No book exists to describe the manner in which the various landscapes of this country came to assume the shape and appearance they now have", [4] mentioning geology ("only one aspect of the subject"), [4] the clearing of woodlands, the reclaiming of moor and marsh, the creation of fields, roads, towns, country houses, mines, canals and railways ...
Their work on "restorative environments" and Attention Restoration Theory influenced how landscape and design professionals and others view humanity's relationship with nature. The Kaplans got involved in studying the effects of nature on people in the 1970s with a US Forest Service grant to evaluate a challenge program in Michigan's wilderness.