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The artist and critic Sergei Goloushev (literary pseudonym — Sergei Glagol) considered the painting Taking a Snow Town a high point in Surikov's work as a painter". [15] The art historian Vladimir Kemenov called Taking a Snow Town a joyful and cheerful picture. In his opinion, the artist managed to convey "sincere passion of the Siberian game ...
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
The Horses photographed in 2012. The Horses (also known as the Wild Horse Monument) is a public art sculpture created by David Govedare in 1989–1990 and situated near Vantage, Washington. It consists of 15 life-size steel horses which appear to be galloping across a ridge above the Columbia River. Presented as a gift for the centenary of ...
The galloping horse became Remington's signature subject, which was copied and interpreted by many Western artists who followed him to adopt the correct anatomical motion. Though criticized by some for his use of photography, Remington often created depictions that slightly exaggerated natural motion to satisfy the eye.
The Flying Horse of Gansu, [1] also known as the Bronze Running Horse (銅奔馬) or the Galloping Horse Treading on a Flying Swallow (馬踏飛燕), is a Chinese bronze sculpture from circa the 2nd century CE.
Big Rocking Horse; The Black Brunswicker; Black Horses (Grandma Moses) Blackie (American horse) Blessed Be the Host of the King of Heaven; The Blind Girl; Blue Horse I; Blue Horses; The Blue Rider (Kandinsky) Boar hunter (Hermitage Museum) Bonaparte Before the Sphinx; Bonaparte Crossing the Alps; Le Boulevard de Montmartre, Matinée de Printemps
Many art historians believe that the manner in which the horses and carriages are cropped in the painting are the result of influence of photography. Art historian Aaron Scharf has compared this painting to an album of stereoscopic photographs called Vues instantanées de Paris taken by the photographer Hippolyte Jouvin.
Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter. [1]He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century.