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Use the result of the first transformation as the new bottom layer; Put the result of the second transformation as the new top layer; Use the initial top layer as the mask on the new top layer. (This assumes that the mask may be colored, with its R, G, B channels masking the channels of the image independently.
A traditional false-color satellite image of Las Vegas. Grass-covered land (e.g. a golf course) appears in red. In contrast to a true-color image, a false-color image sacrifices natural color rendition in order to ease the detection of features that are not readily discernible otherwise – for example the use of near infrared for the detection of vegetation in satellite images. [1]
Anaglyph images have seen a recent resurgence due to the presentation of images and video on the Web, Blu-ray Discs, CDs, and even in print. Low cost paper frames or plastic-framed glasses hold accurate color filters that typically, after 2002, make use of all 3 primary colors. The norm is red and cyan, with red being used for the left channel.
False-color image – Methods of visualizing information by translating to colors, an image that depicts an object in colors that differ from those that a visible-colors-only photograph would show. Middle gray – Shade of the color gray used to adjust photographs to match perceptual brightness, as opposed to absolute brightness as measured by ...
Temporal posterization is the visual effect of reducing the number of frames of video, while not reducing the total time it takes the video to play. This compares to regular posterization, where the number of individual color variations is reduced, while the overall range of colors is not.
Cel shading or toon shading is a type of non-photorealistic rendering designed to make 3D computer graphics appear to be flat by using less shading color instead of a shade gradient or tints and shades.
Color correction is a process used in stage lighting, photography, television, cinematography, and other disciplines, which uses color gels, or filters, to alter the overall color of the light. Typically the light color is measured on a scale known as color temperature , as well as along a green – magenta axis orthogonal to the color ...
In composite video signals, the U and V signals modulate a color subcarrier signal, and the result is referred to as the chrominance signal; the phase and amplitude of this modulated chrominance signal correspond approximately to the hue and saturation of the color. In digital-video and still-image color spaces such as Y′CbCr, the luma and ...