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In 1976, Stringfellow and his then business partner and brother, Geoffrey Stringfellow, sold the Cinderella Rockafella's to Mecca and moved to Manchester, where they opened the Millionaire Club. [19] [20] There were no live bands in the Millionaire Club. However, the Stringfellows hired named DJs including Peter Tyler and Brett Sinclair. [21]
Their first public performance came as an acoustic duo in 1987 while Stringfellow was home in Bellingham. They recorded twelve songs in Auer's family's home studio. Though intended as demos to attract other members and form a full band, the recordings became the Posies' first self-released album, Failure. [1]
Motorhead guitarist Phil Campbell has celebrated his late bandmate Lemmy after the frontman’s ashes were permanently laid to rest behind the bar of his favourite London nightclub - Stringfellows.
In 1988, Stringfellow and Auer began playing together as The Posies and self-released their first album, Failure, which included some of the earlier material they'd written separately. Immediately after the record's release, Stringfellow left the University of Washington to focus on the Posies full-time. [5]
After previously releasing a statement that took a wholly defensive stance in response to sexual misconduct allegations being made him, Ken Stringfellow, the co-founder of the rock band the Posies ...
Rosalie Ann Stringfellow was born on June 24, 1933, in Boise, Idaho, to Walter Pendleton Stringfellow and Nancy Ann Kelly. Her parents met while attending Idaho State University in Pocatello . Her father worked for the highway department and the family often travelled with him as he did field work.
The group's budding friendship with the Dead cofounder pushed them to record the massive Dead tribute. [ 5 ] It is the second compilation album produced by Aaron and Bryce Dessner of The National for Red Hot Organization, following 2009's Dark Was the Night , which has raised over $1.5 million for the organizations fighting AIDS to date.
The members of R.E.M. were particularly enthusiastic about Stringfellow's contributions: "The more off into my own personal vision of the deep end, the more they liked it," Stringfellow stated in Perfect Circle: The Story of R.E.M. by Tony Fletcher. "All sorts of messed up crazy distorted things run through pedals, they were loving that."