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For loudness compensation to work correctly the playback system must also accurately assume what volume level was used in mastering. For movie soundtracks this reference volume level is an industry standard [ 4 ] and can be used by manufacturers to provide a loudness feature that works with a reasonable degree of accuracy.
In the early and mid-1970s, for example, Ferguson made two-channel receivers with a built-in Hafler circuit. Philips had a similar circuit in their two-channel receivers. . Many receivers from middle price brands had such circuits, but often without a volume control for the rear chan
The 'log pot', that is, a potentiometer has a resistance, taper, or, "curve" (or law) of a logarithmic (log) form, is used as the volume control in audio power amplifiers, where it is also called an "audio taper pot", because the amplitude response of the human ear is approximately logarithmic. It ensures that on a volume control marked 0 to 10 ...
The triode was a three-terminal device with a control grid that can modulate the flow of electrons from the filament to the plate. The triode vacuum amplifier was used to make the first AM radio. [2] Early audio power amplifiers were based on vacuum tubes and some of these achieved notably high audio quality (e.g., the Williamson amplifier of ...
Schematic of an AGC used in the analog telephone network; the feedback from output level to gain is effected via a Vactrol resistive opto-isolator.. Automatic gain control (AGC) is a closed-loop feedback regulating circuit in an amplifier or chain of amplifiers, the purpose of which is to maintain a suitable signal amplitude at its output, despite variation of the signal amplitude at the input.
A feed-forward compressor design (left) and feedback design (right) The signal entering a compressor is split; one copy is sent to a variable-gain amplifier and the other to a side-chain where the signal level is measured and a circuit controlled by the measured signal level applies the required gain to the amplifier.
The amplifiers were trimmed in silver covering, and had a bright silver-coloured faceplate, along with a commemorative plaque. The Jubilee also featured a "semi-split channel" design, in which two different input gain levels could be set, running through the same tone stack and master volume control. This allowed for a "classic Marshall" level ...
Some head units have built-in stereo amplifiers. Other car audio systems use a separate stand-alone amplifier. Every amplifier has a rated power level sometimes noted on the head unit with the built-in amplifier, or on the label of a stand-alone unit. Coaxial speakers: These are the most common type of car speakers and are often factory-installed.
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