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Pitch shifters are included in most audio processors today. A harmonizer is a type of pitch shifter that combines the pitch-shifted signal with the original to create a two or more note harmony. The Eventide H910 Harmonizer, [2] released in 1975, was one of the first commercially available pitch-shifters and digital multi-effects units. On ...
The DigiTech Whammy is a pitch shifter pedal manufactured by DigiTech.It raises or lowers the pitch of an audio signal by up to two octaves, controlled with a treadle.The first model, released in 1989, was the first mass-market digital pitch shifter.
A pitch shifter (also called an "octaver" for effects that shift pitch by an octave) raises or lowers (e.g. "transposes") each note a performer plays by a pre-set interval. For example, a pitch shifter set to increase the pitch by a fourth will raise each note four diatonic intervals above the notes actually played.
Behringer is an audio equipment company founded by the Swiss engineer Uli Behringer on 25 January 1989 in Willich, Germany. Behringer produces equipment including synthesizers , mixers , audio interfaces and amplifiers .
TC Electronic was founded by two musician brothers, Kim and John Rishøj. Their SCF, ("Stereo Chorus + Pitch Modulator & Flanger") was a successful early product. [1] After initial success with guitar effect pedals, they developed 19" rack mounted processors, including the TC2290 delay released in 1985.
Octave effect boxes are a type of special effects unit which mix the input signal with a synthesized signal whose musical tone is an octave lower or higher than the original.
The production H910 was released in 1975, offering pitch shifting (±1 octave), delay (up to 112.5 ms), feedback regeneration and other features in an easy-to-use box that sold for $1,600. The H910 model number refers to the Beatles song "One After 909". [citation needed]
The processor slightly shifts pitches to the nearest true, correct semitone (to the exact pitch of the nearest note in traditional equal temperament). Auto-Tune can also be used as an effect to distort the human voice when pitch is raised or lowered significantly, [ 9 ] such that the voice is heard to leap from note to note stepwise, like a ...
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