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  2. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament: 17-tet scale on C. Play ⓘ — — — 17 — — 19 equal temperament: 19-tet scale on C. Play ⓘ — — — 19 — — 21 equal temperament: 21-tet scale on C. Play ⓘ — — — 21 — — Acoustic scale or Lydian dominant scale: Acoustic scale on C. Play ⓘ 1 2 3 ...

  3. C minor - Wikipedia

    en.wikipedia.org/wiki/C_minor

    C minor is a minor scale based on C, ... The scale degree chords of C minor are: ... Piano Sonata in C minor, K. 457;

  4. Diminished seventh chord - Wikipedia

    en.wikipedia.org/wiki/Diminished_seventh_chord

    The diminished seventh chord occurs as a leading-tone seventh chord in the harmonic minor scale. It typically has dominant function and contains two diminished fifths, which often resolve inwards. [2] The chord notation for the diminished seventh chord (assuming root C) is Cdim 7 or C o 7 (or Cm 6 â™­ 5 for the enharmonic variant).

  5. Common tone (chord) - Wikipedia

    en.wikipedia.org/wiki/Common_tone_(chord)

    Typically, it refers to a note shared between two chords in a chord progression. According to H.E. Woodruff: Any tone contained in two successive chords is a common tone. Chords written upon two consecutive degrees of the [diatonic] scale can have no tones in common. All other chords [in the diatonic scale] have common tones.

  6. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    So in the key of C, the Nashville Number System notation: 1 4 1 5 represents a four-bar phrase in which the band would play a C major chord (one bar), an F major chord (one bar), a C major chord (one bar), and a G major chord (one bar). Here is an example of how two four-bar phrases can be formed to create a section of a song.

  7. Diminution - Wikipedia

    en.wikipedia.org/wiki/Diminution

    A diminished triad with a minor seventh is a half-diminished chord, usually notated either Cm 7(â™­ 5) or C ø7. A diminished triad played over a root a major third away creates a Dominant 7th chord, notated C 7, with a C Major triad on the bottom, and an E° from the chord third of C (C E G B â™­). A minor third below would give a fully ...

  8. Jazz scale - Wikipedia

    en.wikipedia.org/wiki/Jazz_scale

    Because of the repetition of the interval pattern after only two notes, each note in the scale can be the root in another symmetric diminished scale. For example, the C diminished scale of the half-step-first type, has the same notes as the half-step-first E â™­ diminished scale as well as the whole-step-first D â™­ diminished scale.

  9. Chord-scale system - Wikipedia

    en.wikipedia.org/wiki/Chord-scale_system

    In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]

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