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The Tragedy of Othello, the Moor of Venice, often shortened to Othello (/ ɒ ˈ θ ɛ l oʊ /), is a tragedy written by William Shakespeare around 1603. Set in Venice and Cyprus , the play depicts the Moorish military commander Othello as he is manipulated by his ensign , Iago , into suspecting his wife Desdemona of infidelity.
Othello (/ ɒ ˈ θ ɛ l oʊ /, oh-THELL-oh) is the titular protagonist in Shakespeare's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio. There, he is simply referred to as the Moor.
Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
Shakespeare wrote the role of Lear for his company's chief tragedian, Richard Burbage, for whom Shakespeare was writing incrementally older characters as their careers progressed. [57] It has been speculated either that the role of the Fool was written for the company's clown Robert Armin , or that it was written for performance by one of the ...
Another scholarly analysis of Shakespeare's problem-plays by A.G. Harmon argues that what the problem-plays have in common is how each consciously debates the relationship between law and nature. Many of the problem-plays address a disorder in nature, and the characters attempt to mitigate the disorder in varying manners. [4]
"Shakespeare stands out singularly, linking the old and new in a lush. Wish and duty trying to put itself in balance in his plays; both are faced with violence, but always so that the wish is at a disadvantage." "Perhaps no one has made so great as the first major link of wish and duty in the individual character as Shakespeare did."
The German critic Schlegel showed an appreciation for Shakespeare of a kind that no one in Hazlitt's country had yet demonstrated, and Hazlitt, sympathising with many of Schlegel's ideas, felt there was a place for a whole book that would provide appreciative criticism of all of Shakespeare's plays. Such a book would provide liberal quotations ...
There is debate among critics as to Emilia's character nature in Othello, with some deeming her a villain and some as the true hero of the play.This is because her allegiances initially seem to lie with her husband, and she displays the typical “wifely virtues of silence, obedience, and prudence" [2] of the Elizabethan period (as seen in her theft of the handkerchief in 3.1).