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An Apology for Poetry (or The Defence of Poesy) is a work of literary criticism by Elizabethan poet Philip Sidney. It was written in approximately 1580 and first published in 1595, after his death. It was written in approximately 1580 and first published in 1595, after his death.
Sir Philip Sidney (30 November 1554 – 17 October 1586) was an English poet, courtier, scholar and soldier who is remembered as one of the most prominent figures of the Elizabethan age. His works include a sonnet sequence , Astrophel and Stella , a treatise , The Defence of Poesy (also known as The Defence of Poesie or An Apology for Poetrie ...
The Countess of Pembroke's Arcadia, also known simply as the Arcadia, is a long prose pastoral romance by Sir Philip Sidney written towards the end of the 16th century. . Having finished one version of his text, Sidney later significantly expanded and revised his
However, most criticism and reviews of the Sidney Psalter focus on the later psalms written by Mary Sidney, with Moffet terming Mary Sidney's Psalmes "sweet and heavenly tuned," . [14] This sadly leaves a gap in critical response to first 43 Psalms, which were written by Philip Sidney before his death, though there is much on his other works.
A genre of arts criticism, literary criticism or literary studies is the study, evaluation, and interpretation of literature. ... Philip Sidney: An Apology for Poetry;
Philip Sidney’s crititical work in An Apology for Poetry (1595) was a key precedent for Scott's treatise, The Model of Poesy (1599).. The treatise of The Model of Poesy (1599) is in three sections; [5] in the first section, Scott defines poetry and makes clear his debts to earlier theorists:
In 1858, William Stigant, a poet, essayist, and translator, wrote in his essay "Sir Philip Sidney" [6] that Shelley's "beautifully written Defence of Poetry" is a work which "analyses the very inner essence of poetry and the reason of its existence, – its development from, and operation on, the mind of man".
Sir Philip Sidney. After a four-year gap Wilson's next book was a study of Sir Philip Sidney (1931), which combined a biography with literary criticism of his writings, contrasting his disciplined poetry with his elaborate and ornamented prose style. [14]