Search results
Results from the WOW.Com Content Network
The Painting is attributed to Turner. It is highly likely to be a Turner work, and part of the Turner Bequest also. [3] Interior of a Romanesque Church: c.1795–1800 Tate Britain, London: 61 x 50.2 Fishermen at Sea: 1796 Tate Britain, London: 91.4 × 122.2 Diana and Callisto (after Wilson) 1796 Tate Britain, London: 56.5 x 91.4 Interior of a ...
Turner's paired piece titled Shade and Darkness – The Evening of the Deluge was also exhibited in 1843. In this piece as well as The Morning After the Deluge, Turner makes no attempt to mirror the scene of the flood in its naturality. [3] Fallacies of Hope is a poem that Turner supposedly wrote to parallel the two paintings. [5]
Joseph Mallord William Turner RA (23 April 1775 – 19 December 1851), known in his time as William Turner, [a] was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings.
Frosty Morning is an 1813 landscape painting by the British artist J. M. W. Turner.Based on a sketch made when Turner was journeying to Yorkshire and the coach paused. [1] It depicts a bright but frosty early morning in winter and group of men clearing a ditch at the side of the road.
The Dort, or Dort or Dordrecht: The Dort packet-boat from Rotterdam becalmed is an 1818 painting by J. M. W. Turner, based on drawings made by him in mid September 1817. [1] It shows a view of the harbour of Dordrecht. It is the finest example of the influence of Dutch marine painting on Turner's work. [2]
The scene, suffused with the golden glow of imagination in which the divine mind of Turner steeped and transfigured even the fairest natural landscape, is a dream-like vision of the little woodland lake of Nemi, "Diana's Mirror," as it was called by the ancients. No one who has seen that calm water, lapped in a green hollow of the Alban hills ...
The Author was in this Storm on the Night the "Ariel" left Harwich) [1] is a painting by English artist Joseph Mallord William Turner (1775–1851) from 1842. [ 2 ] [ 3 ] Though panned by many contemporary critics, critic John Ruskin commented in 1843 that it was "one of the very grandest statements of sea-motion, mist and light, that has ever ...
The Battle of Trafalgar (Turner) The Bay of Baiae, with Apollo and the Sibyl; The Beacon Light; A Beech Wood with Gypsies round a Campfire (J. M. W. Turner) A Beech Wood with Gypsies Seated in the Distance (J. M. W. Turner) The Burning of the Houses of Lords and Commons; Buttermere Lake, with Part of Cromackwater, Cumberland, a Shower