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Native American Rugs, Blankets, and Quilts; American Indian Featherwork; The Center for Traditional Textiles of Cusco “The Mechanics of the Art World,” Vistas: Visual Culture in Spanish America, 1520-1820. "PreColumbian Textile Conference Proceedings VII" (2016) "PreColumbian Textiles in the Ethnological Museum in Berlin" (2017)
Kate Jackson, a Wasco woman, adapted the Log Cabin design into an arrowhead one to better fit Native American quilt aesthetic. [8] In the American South, a variation on the log cabin design is called a Pig Pen or Medallion. In the Pig Pen design, the entire quilt is a series of larger and larger rectangles that nest inside each other. [9]
Margaret Wood (born 1950) is a Navajo-Seminole fiber artist, fashion designer, and quilt maker. Though she began her career as a teacher and librarian, Wood switched to fiber arts to allow her to express her creativity.
Her quilts go through a long creation process which "can take up to 18 months to complete, including sewing by machine and sewing details and binding by hand". [3] Her work is in the permanent collections of the Autry Museum of the American West , Heard Museum , [ 6 ] International Quilt Museum , Museum of Riverside , and the National Museum of ...
America, Native North American, Southwest, Navajo, Post-Contact, Early Peri - Rug (Third-phase Chief Blanket Style, Germantown Weaving), Cleveland Museum of Art Navajo Third phase wearing blanket, circa 1890-95.
Created by the Native Americans of southern Florida, Seminole strip piecing is based on a simple form of decorative patchwork. Seminole strip piecing has uses in quilts, wall hangings, and traditional clothing. Seminole patchwork is created by joining a series of horizontal strips to produce repetitive geometric designs.
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