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Vortex 1 sound card with AU8820B2-chip Vortex 2 logo branding. The Vortex audio accelerator chipset line from Aureal Semiconductor was designed to improve performance of their then-popular A3D audio technology. The first member of the line, the Vortex AU8820, was announced on July 14, 1997, [4] and was used in by a number of sound card ...
The card was based on the Aureal AU8830 (Vortex 2) chipset but differed from the reference Aureal design. The Quadzilla was the 4-channel version and achieved this via a separate daughtercard, whereas the other AU8830 cards such as Aureal Vortex SQ2500 and Diamond Monster Sound MX300 used a single card.
The Diamond Monster Sound MX300 was based on the Vortex2 audio ASIC from Aureal Semiconductor. It was a substantial step forward in gaming audio, with impressive 3D audio positioning and other effects. It utilized the then state-of-the-art Aureal A3D 2.0 3D audio API.
Aureal Vortex, the PC audio accelerator chipset which powered such sound cards as the Monster Sound MX300 Vortex (satellite) , a class of United States Reconnaissance satellites Vortex mixer , a laboratory device used to mix vials of liquid
Crystal River Engineering was acquired by Aureal Semiconductor in 1996. [1] Crystal River's innovations in the field of real-time 3D audio processing were published in a series of papers [2] by NASA's Elizabeth Wenzel and Crystal River's Scott Foster.
The firm had maintained a strong foothold in the ISA PC audio market until 14 July 1997 when Aureal Semiconductor entered the soundcard market with their very competitive PCI AU8820 Vortex 3D sound technology. The firm at the time was in development of their own in house PCI audio cards but were finding little success adopting the PCI standard.
Pro Audio Studio with SCSI CD-ROM interface. The Media Vision Pro AudioSpectrum (commonly referred to as "PAS") family of personal computer sound cards included the original 8-bit Pro AudioSpectrum (1991), the 8-bit Pro AudioSpectrum Plus, 16-bit Pro AudioSpectrum 16, Pro AudioSpectrum 16 Basic and 16-bit Pro Audio Studio.
The process is repeated. This takes place within 2 miles (3.2 km), or 4 minutes away from the tornado itself. [18] The team had 24 2 metres (6.6 ft) high portable Sticknets, which can be set up at various locations around tornado storm cells to measure wind fields, provide atmospheric readings, and record acoustically the hail and precipitation.