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Syntactic Structures is an important work in linguistics by American linguist Noam Chomsky, originally published in 1957.A short monograph of about a hundred pages, it is recognized as one of the most significant and influential linguistic studies of the 20th century.
Using a term such as "transformation" may give the impression that theories of transformational generative grammar are intended as a model of the processes by which the human mind constructs and understands sentences, but Chomsky clearly stated that a generative grammar models only the knowledge that underlies the human ability to speak and ...
The headed sub-section should be retained, with a concise version of what has been removed under an italicized header, such as Main article: History of Ruritania (a list of templates used to create these headers is available at Category:Wikipedia page-section templates). Otherwise, context is lost and the general treatment suffers.
Compounding is the processing of combining two bases, where each base may be a fully-fledged word. For example: desktop is formed by combining desk and top; railway is formed by combining rail and way; firefighter is formed by combining fire and fighter [5] Compounding is a topic relevant to syntax, semantics, and morphology. [2]
Literature has its own history, a history of innovation in formal structures, and is not determined (as some crude versions of Marxism have it) by external, material history. What a work of literature says cannot be separated from how the literary work says it, and therefore the form of a work, far from being merely the decorative wrapping of ...
Mythological characters have influence that extends to recent works of literature. The poet Platon Oyunsky draws heavily from the native mythology of his homeland, the Yakut region in Russia and the Sahka people. In several of his stories, he depicts a main character that follows historic examples of heroism, but fashions the main character ...
The term "distant reading" is generally attributed to Franco Moretti and his 2000 article, Conjectures on World Literature. [1] In the article, Moretti proposed a mode of reading which included works outside of established literary canons, which he variously termed "the great unread" [2] and, elsewhere, "the Slaughterhouse of Literature". [3]
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.