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"Save Me" is a song by American musician Jelly Roll, released on June 25, 2020, as a single from his seventh studio album Self Medicated (2020). [ 1 ] [ 2 ] An official remix of the song with American country music singer Lainey Wilson was released on May 12, 2023, as the second single from his ninth studio album Whitsitt Chapel (2023).
Although the band had wanted "Heart of the World" to be released first, the band's label, Mercury, opted for "Save Me" instead. [5] "Save Me" was released in April 1990 in the UK, a month before the band's compilation Through a Big Country: Greatest Hits, which the song would also appear on. [6] It was released in May in Europe. [7]
"Save Me" is a 1974 song by the German Euro disco group Silver Convention, which became a hit in Germany. It features lead vocals by three session musicians identified only as Ingrid, Wilma and Monica. [1] It is included in the album of the same name. It also was heavily played in disco clubs in many countries.
"Save Me" is a country-influenced pop song written by Guy Fletcher and Doug Flett. It was originally recorded in 1976 by Northern Irish singer Clodagh Rodgers, for her album of the same title, and released as a single. [1] The song's narrator describes feeling bored and out of place at a party, and slipping out with the only man she is ...
"Save Me (Wake Up Call)" is a song by the San Diego–based rock band Unwritten Law, released as the first single from the band's 2005 album Here's to the Mourning. It became the second highest-charting single of the band's career, reaching No. 5 on Billboard 's Modern Rock Tracks chart.
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"Save Me" is a song by Dave Dee, Dozy, Beaky, Mick & Tich, released as a single in December 1966. It peaked at number 3 on the UK Singles Chart. [2] Reception
"Save Me" is a song by British-American band Fleetwood Mac from their 15th studio album, Behind the Mask, released as a single in 1990. Written and sung by Christine McVie, it was the group's last top-40 hit in the United States, [2] where it reached No. 33. "Save Me" achieved modest success in the United Kingdom, where it peaked at No. 53.
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